INDIAN DOCUMENTARY FILMS

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Saturday, June 23, 2012

Indian documentary films



Indian documentary films

 


A

  • Amar Lenin
  • A Punjab Within Punjab

B

  • Bala (1976 film)
  • Besharyan Da Sahara- Bhagat Puran Singh 
  • Budhisam in Punjab

C

  • Carve Your Destiny
  • Cherub of the Mist
  • Contemporary Indian Sculpture
  • Catastrophy of Jalianwala Bagh

D

  • Dams: The Lethal Water Bombs
  • Dholer Raja Khirode Natta
  • Diary of a Housewife
  • Documentary on Nripen Ganguly

E

  • Ek Anek Aur Ekta
  • An Encounter with Faces
  • Early Hawkers- News Paper Hawkers

F

  • Fear (Short film)
  • Five Rivers Still Thursty

F cont.

  • Final Solution (2003 film)

G

  • Gotoma the Buddha
  • Gadar Lehar Da Chiraag- Last Man of Gadar
  • Gadar Party Memorial

H

  • The House That Ananda Built

I

  • In the Flesh (2003 film)
  • Inqilab
  • In Search Of Freedom- Bonded Labours

J

  • Jyanto Durga

K

  • Kids of the Majestic
  • King Khan (documentary)

L

  • A Little Dream
  • Legand Of Malerkotla

M

  • Mahadiga (film)
  • Mahatma: Life of Gandhi, 1869–1948
  • Men of Burden: Pedaling towards a Horizon








N

  • Naga Story: The Other Side of Silence

O

  • The Other Song

P

  • Pedaling to Freedom
  • Punjab Vs Pestiside
  • A Pestering Journey
  • Polio v/s Polio victims
  • PotthillalOnchi

R

  • Rabindranath Tagore (film)
  • Ramkinkar Baij (Documentary)

S

  • Sange Meel Se Mulaqat
  • Sworn to Die- Why Terrorisam in Jamu & Kashmir
  • Save Water- Water is Precious
  • Shores of Silence: Whale Sharks in India
  • Saving Tanti Saaz

W

  • Wings Of Evolution
  • Wrestling in Punjab
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      • Indian documentary films

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SIMRAN KALER
Simran Kaler (Simranjit Singh) is a professor at Lovely Professional University and an independent filmmaker known for blending academic insight with cinematic creativity. His teaching philosophy bridges theory and practice, transforming classrooms into spaces of visual experimentation. Passionate about storytelling rooted in truth and emotion, he inspires students to see filmmaking as both an art and a form of consciousness. Kaler’s research explores the psychological and aesthetic impact of camera optics, focusing on how focal length and composition influence human emotion—a theme that also shapes his films. As an independent filmmaker, his work reflects realism, introspection, and empathy toward ordinary lives. Deeply influenced by Indian philosophy and world cinema, he views cinema as a spiritual dialogue rather than mere entertainment. His approach integrates ancient Indian aesthetics, particularly the concepts of rasa (emotion) and bhava (feeling), with modern cinematic language. Through mentoring students and curating workshops and festivals at LPU, Kaler has nurtured a generation of filmmakers who think critically and create meaningfully. His dual identity—as a scholar a
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